Press

Zachary Wolfe, The Best Opera and Vocal Performances of 2017, (‘Down To You’), The New York Times, December 7, 2017

Chris Riemer, ‘John Kelly’s ‘Live Memoir’ Entertains While Enlightening Audience to LGBT History‘, The Beacon, October 26, 2016

Jose Solis, Interview: ‘John Kelly on Getting in Touch with His Feral Side for Post-Apocalyptic Opera ‘Dog Days’, StageBuddy, January, 2016

Laura Collins-Hughes, ‘John Kelly Revives ‘Love of a Poet’, The New York Times, June 27, 2015

Delarue, ‘John Kelly Winds Up His Memorably Tragicomic Performance Piece on Governors Island’, New York Music Daily, June 2015

John Kelly Interview: Love of a Poet, Then and Now’, NYC-ARTS, June 2015

Libby and Roberta, ‘Performance Artist John Kelly Escapes into Caravaggio’– an artblog radio podcast, Jan 21, 2014

Wickham Boyle, ‘The Hustle Doesn’t Stop’, EdgeMediaNetWork, July 16, 2012

‘Cabaret Scenes’, NightLifeExchange, June 28, 2012

Harvey Perr, ‘Woe And Behold’, Stage and Cinema, October 18, 2012

Night Life’, The New Yorker, October 28 2012 – November 4 2012

Joan Acocella, Critic’s Notebook: ‘Reconstruction’, The New Yorker, Nov. 24, 2011

Lucid Culture, ‘John Kelly’s Escape Artist Cheats Death’, April 22, 2011

Ben Brantley, ‘Egon Schiele Seen From Many Angles’, The New York Times, Dec. 12, 2010

Scott Brown, ‘Artist Meets Artist in John Kelly’s Pass the Blutwurst, Bitte’, New York Magazine, Dec. 6, 2010

Elizabeth Kley, ‘Alter Egon’, Artnet.com, January 2011

Nick Curley, ‘Egon, Baby, Gone’, New York Press, Nov. 30, 2010

Chrissie Iles, Art Forum, ‘Blue (John Kelly) Best Of 2009’ December 2009

Carol Diehl, Art In America, ‘John Kelly / Alexander Gray’, November, 2009

Andrew Willett, Strange Radiation, ‘Peoples Parties‘, August 2009

Ariel Levy, The New Yorker: Talk Of The Town, Homage Dept: ‘Being Joni’, Aug. 17, 2009

Band Of Thebes, ‘The New Yorker on John Kelly: “An Aesthetic Octopus Like Me”’. August 3, 2009

Holland Cotter, “THE MIRROR STAGES: SELF-PORTRAITS 1979-2009”, New York Times, June 25, 2009

Morgan Falconer, ‘John Kelly: Alexander Gray Associates, New York, USA’ Frieze, July 14, 2009

Dale’s MySpace Blog, blog.myspace.com/deltamagnet, August 1, 2009

Robert Sokol, ‘John Kelly Looks At Life From Both Sides Now’, Bay Area Reporter, San Francisco, July 30, 2009

Steve Murray, ‘Paved Paradise Redux – John Kelly Sings Joni Mitchell’, Rrazz Room, Hotel Nikko, San Francisco, July 31,  2009

Patrick Lee, “Just Shows To Go You” (interview), June 24, 2009

Patrick Leader (the jonimitchell.com library), ‘Paved Paradise Redux: The Art of Joni Mitchell’, June 21, 2009

Elizabeth Vincentelli, “Joni, But Not Phony”, New York Post, June 22, 2009

Patrick Lee, “Paved Paradise Redux”( review), TheaterMania, June 22, 2009

Eva Yaa Asantewaa, “John + Joni = !”, NFINITEBODY, June 19, 2009

Planet Homo, ‘Paving Paradise’, January 6, 2009

Colin McEnroe, “Shadows And Light”, HartfordCourant,com, January 25, 2009

John Adamian, “The Art Of Being Joni”, Hartford Advocate, January 25, 2009

Louise Kennedy, Review: From Out On Th Edge to the Center of Joni Mitchell’s World, The Boston Globe, November 3, 2007

Matthew Gilbert, Article: A Case Of Her: John Kelly Moves Audiences and the Singer Herself,The Boston Globe, October 28, 2007

Brian Jewell, Article: John Kelly Brings Joni MItchell To “Out On The Edge”, Bay Windows, November 1, 2007

William Henderson, Article: Paradise Found: A Stunning Theatrical Interpretation, In Newsweekly, October 31, 2007

Lightsey Darst, Review: Consumed By The Hungry Air: “Solo” At The Southern, May 9, 2006.

Phil Trager, “Faces”, Steidel, 2006, cover, 2, 9, 31, 33.

Roberta Smith, “Looking Back At the Flurry On the Far Side”, The New York Times, Dec. 10, 2004

Lance Esplund, “Life Among the Village People”, December 10, 2004

Sharon Lerner, Interview, WNYC Radio, Studio 360: Parody: Johnny Loves Joni, Oct. 16, 2004.

Susan Yung, Review: Altogether Out Of The Past: “John Kelly’s ‘Skin’ Games”, Flash Review (online), Sept. 9, 2004.

Charlie Dyer, Interview, SIRIUS, Radio, NY, OutQ  Last Call #149, June 24, 2004.

David Garland, Interview, WNYC Radio, NY, Spinning On Air, May 21, 2004.

Culturebot, Online Review Woman Of Heart And Mind, May 21, 2004.

Wick Boyle, Article:  “A Queen With Substance: John Kelly Plumbs The Politics Underlying Joni Mitchell’s Music”, Gay City News  March 18, 2004.

Jed Ryan, Interview: “John Kelly Brings Joni Mitchell To Fez!: The Performance Artist Talks About His New Show, His Past Body Of Work, And The State Of Gay Culture”, March 2004.

Deborah Jowitt, Review: “O For A Muse Of Fire: Choreographers Enter History, Bringing It To Bear On The Present And The Personal”, The Village Voice, Jan. 14, 2004.

Jennifer Dunning, Review, “Having A Play Date With ‘The Children Of Paradise”, The New York Times, Jan. 8, 2004.

Frances Sorensen, Interview, WPS1 Radio, NY, Transister Radio #2, 2004.

David Frankel, Article: Photo Play: John Dugdale & John Kelly, Aperture 173, Winter 2003, 66-79.

Steve Wiecking, Article: “A Case Of Her: John Kelly Is Joni Mitchell—And She Couldn’t Be Happier”, Seattle Weekly, Sept. 10, 2003.

Shields Remine, Review: “The Paradise Project”, Ballet Review, vol. 30, no 4, winter 2002, 7-8

Interview, WXPN QZine Radio, Philadelphia, Oct. 27, 2002.

David Warner, Interview, “Kelly’s Girl”, Philadelphia City Paper, Oct. 24-30, 2002.

Susan Yung, Flash Review,  “Paradise’ Found: Vintage Kelly On A Classic Film”, Sept. 26, 2002.

Emily Harney, Article:  “Divine Provenance: Performance Artist John Kelly Is Cooking Up ‘Paradise’ At The Kitchen”, Gay City News, Sept. 12, 2002.

C. Carr, Article: “Silence = Life: John Kelly Represents In Mime”, The Village Voice, Sept. 11, 2002.

Ben Brantley, Review: “Greasepaint On The Pillow: Becoming A Mime In Dreamland”, The New York Times, Sept. 7, 2002.

Joseph Hurley, Review: “Kelly’s Mitchell: Bold But Brittle”, Irish Echo, Jan. 8, 2002, 28.

Interview, WNYC Radio, NY, “New York State of Mind”, Dec. 31. 2001 & Jan. 1, 2002.

Ann Powers, Selective Listing: “Shiny Hot Nights”, The New York Times, Nov. 16, 2001.

Preview: John Kelly: Shiny Hot Nights’-More Songs Of Joni Mitchell, Time Out NY, Nov. 8, 2001.

Mitch Rustad, Interview: “Court Her Spark”, HX Magazine, November 2001, 32-33.

Ned Vizzini, Listings, New York Press, October 16, 2001.

Paul Power, Review: “By The Time He Got To Wigstock”, The Irish Times, Dublin, June 12, 2001.

Gerry Ryan Show, Interview, Dublin Radio, June 15, 2001.

Linda Yablonski, Article: Off-Off Color: Obie-Winner John Kelly Tunes Into Modern Love With ‘Brother’, Time Out New York, May 17, 2001.

Tony Phillips, Big Brother: An Interview with John Kelly & David Del Tredici, Next Magazine, 2001.

Dan Bacalzo, O Brother, Where Art Thou?, Theatremania.Com, May 15, 2001.

Greg Sandow. Review: Silence And Eccentricity, Wall Street Journal, March 19, 2001.

Dance Insider, Brother, Flash Review 2001.

Chris Dohse, Review: Brother’s Blues: Listing Towards The Gist Of Middle Age with John Kelly and David Del Tredici, Dance Insider 2001.

Andrew Druckenbrod, Del Tredici & Kelly Evoke Gay Life, Love, Hardships In Art Songs At Warhol, The Post Gazette, May 14, 2001.

Mayte Iracheta, Article: John Kelly: y Donde Empiezan Los Siete Colores, Complot, Sept. 2000, 39-43.

David Roman, Comment: Theatre Journals 2000.

Greg Varner, Review: Both Sides Now: John Kelly Worships A Diva By Inhabiting Her Persona, The Washington Blade, Jan. 14, 2000.

D.C. Culbertson, Review: Dolls And Divas, The Washington Alternative, Jan. 2000.

Nicole Lewis, Article: The Man Who Would Be Joni: John Kelly Makes Himself A Homage, Washington Post   Jan. 2000.

Gordon Rogoff, Vanishing Acts: Theater Since The Sixties By Gordon Rogoff, Yale University Press, 2000, Future Leider: John Kelly, 26-28.

Bill Hayward, Bad Behavior, Rizzoli, 2000, 54-55.

John Schaefer, Interview WNYC Radio, Around New York, July 14, 1999.

Roselee Goldberg, Performance: Live Art Since 1960, Harry Abrams, 1999,187.

Holly Brubach, Photographs By Michael James O’Brien, Girlfriend, Random House, 1999, 60-61.

Nick Meyer, Preview: Dancing On The Moon, New York Magazine, Jan. 18, 1999.

James Hamilton, The New York World, The New York Observer, Jan. 18, 1999.

Robert Hilferty, Preview: Lunar Tunes: Sarah Rothenberg and John Kelly Wax Eloquent about Moondrunk’s Bizarre Inspiration, Time Out New York, January 1, 1999.

Justin Davidson, Preview: Classical Music Has a New Look, New York Newsday, Jan/ 14, 1999.

Don Shewey, Article: ‘John Kelly Plays Pierrot’, New York Times, Jan. 10, 1999.

Stabller, Review: ‘Orpheus Satire Hits a Tragic Note’, The Oregonian, May 23, 1998.

Steffen Silvis, Article: ‘Orpheus Descending: John Kelly’s Talents Are So Numerous That, Like Cocteau, He Can Only Be Described As A Poet’, Portland Willamette Week, May 21, 1998.

Cliff Chase, Article: ‘Performance Artist John Kelly Plays With Every Boy’s Favorite Color’, Poz, May1998.

aRUDE, Number 11, 1998, 3 & 86-90.

Stephen Holden, In Performance: Pop Review: ‘Casting Singer As Shaman With High-Minded Humor’, The New York Times, Nov. 18, 1997.

Stephen Holden, Review: ‘For The Love of Joni’, The New York Times, Sept. 25, 1997.

Wendy Liberatore, Review: ‘Poetry In Motion’, The Schnectady Daily Gazette, March 21, 1997.

David Frankel, Review: ‘John Kelly: Performing Artist’, Art Forum, Jan. 1997.

Dona Ann McAdams, ‘Caught In The Act: A Look At Contemporary Multimedia Performance’, Aperture, 1997, 100-103.

Patsy Tarr, Dance Ink: Photographs, Chronicle Books, 1997,166-175.

Frank H. Jump, Joni Mitchell: The New York Times, December 1, 1996, Dec. 5, 1996.

Ann Daly, Article:  ‘Becoming Artaud: Solo Performances at Drawing Center Expand MOMA Exhibit’, The Village Voice, Nov. 26, 1996, 90.

Michael Feingold, Preview: ‘Paved Paradise’, The Village Voice, vol. xli, no 45, Nov. 5, 1996, 1.

John Heilpern, Review: ‘Horse Camp, Joni in Drag, and Izzard the Wizard’, The New York Observer, Oct. 7.1996, 35.

Richard Tayson, Review: ‘Every Picture Has It’s Source of Light: An Evening With John Kelly’, LGNY, #38, Oct.6, 1996, 16.

L.C. Cole, Review: ‘Sometimes The Muse Is Weird’, New York Native, Sept. 30, 1996, 40.

Stephen Holden, Review, ‘For The Love of Joni’, The New York Times, Sept 25. 1996, C15.

Mary Talbot, Review, ‘Kelly’s Joni: Hardly A Drag ‘Blue Notes’: His Inspired Take On Mitchell Makes For A Fine Night In The City’, New York Daily News, Sept. 17, 1996.

James Hannaham, Article: I’ll Be Your Mirror: John Kelly Gives Joni Mitchell A Drag Send-Up, Spin Magazine,1996.

Wendy Liberatore, Review: ‘Poetry In Motion: Orpheus Legend Told Through Movement And Music’, The Daily Gazette Schnectady, NY  1996.

Amy Eddings, Interview, WFUV Radio, City Folk, Sept. 24, 1996.

Donn Russell, ‘Avant-Guardian’ 1965-1990: A Theater Foundation Director’s Twenty-Five Years Off-Broadway, Dorrance, 1996, 421-445.

Deborah Jowitt, Review: ‘When Words Count’, The Village Voice, October 31, 1995.

Henry Baumgartner, Review: ‘Constant Stranger, Dancing On a Line’, Oct. 15, 1995.

D.J.R. Bruckner, ‘Theater Review: How A Boy Grew Into The Man He Became’, The New York Times, Oct.13, 1995.

Preview: Dance, Time Out New York, Oct. 11-18, 1995.

Jordan Levin, Article: ‘John Kelly Straddles Line Between Absurd and Profound’, Miami Herald, May 1, 1995.

Jordan Levin, Review: ‘John Kelly Paints Vivid Portrait of Anguished Artist’, Miami Herald, May 2, 1995.

Henry Baumgartner, Online Review ‘Constant Stranger’, Oct. 15, 1995.

Pamela Gordon, Review: ‘Unbearable Lightness of Being’, Miami New Times, April 27, 1995.

Lester Strong, Article: ‘I Compose Bodies On Stage’, Metroline, Vol. 18, no 5, March 2, 1995, 14, 35

Ben Brantley, Review: ‘As Egon Schiele Observes Himself Observing Himself: An Anatomy Lesson That Brings The Artist To Life’, The New York Times, Jan 7, 1995.

Jan Stuart, Review: ‘A Moving Portrait Of An Artist’, New York Newsday   Jan. 3, 1995.

Georgina F. Keenan, Vasari Diary, Review: ‘Moving Portraits’, Art News 1995.

John Dugdale, ‘Lengthening Shadows Before Nightfall: Pictures by John Dugdale’, Twin Palms Press, 1995.

Sara K. Schneider, ‘Concert Song As Seen: Kinesthetic Aspects Of Musical Interpretation’, Pendragon Press, 1994, Deconstructions Of The Recital, 61-70.

Stephen Holden, Review: ‘John Kelly as a Parisian Legend’, The New York Times, Nov. 12, 1993.

Jennifer Dunning, Article: ‘Dancing On A High Wire Of Inspired Lunacy’, The New York Times, Nov 7, 1993, 1, 6.

Jonathan Wald, Article: ‘John Kelly, Poet On A Flying Trapeze’, American Theatre Magazine, Nov 1993, 1

Dennis Harvey, Review: Symphony of Death and Memory, San Francisco Weekly, Sept. 30, 1993, Vol. XI, no. 31.

Jesse Hamlin, Article: ‘Just Don’t Call His Joni a Drag’, San Francisco Chronicle, June 29, 1993, E2.

Article: ‘The Color of Envy’, The New York Times, May 16, 1993.

Alexis Greene, Review: Serious Fun!, Theatre Journal, Vol. 45, No. 2, May, 1993, 256-258.

Joseph Andrew Phillips, review:  ‘Divine Promiscue’ Creative Challenge, The Daily Gazette (Capital Region), Feb. 16, 1993.

Claude Peck, ‘Walker’s Bad Boy’, Minneapolis-St. Paul Magazine, December 1, 1002

Steven Winn, Review: Artist’s Self Portrait Solo Mio Standout, San Francisco Chronicle, Sept. 23, 1992.

Robert Hurwitt, Review: Solo Mio Festival On The Move, San Francisco Examiner, Sept. 1992.

Aileen Jacobson, Review: Victory In Persistence, New York Newsday, July 25, 1992.

Michael Feingold, Review: Naked Ambition, The Village Voice, July 1992.

Stephen Holden, Review: Mona Lisa (Eating Pasta) and Other Muses, New York Times, July 25, 1992.

Stephen Holden, Article: Two Solo Performance Artists Confront The Limits of Personal Experience, The New York Times, July 17, 1992.

Article: John The Divine: John Kelly’s Imitation of Life, QW No. 38,, July 29, 1992.

Article: Inside Arts, Vol. 4, No. 1, March 1992.

Mel Gussow Review: Akin: A Medieval Troubadour Is Brought To The Present, The New York Times, Feb. 25, 1992.

Jan Stuart, Review: A Trip of Transformation, New York Newsday, Feb. 25, 1992, 45.

Damon Wright, Review: Where Hope And Death Dwell Together, The New York Times, Feb. 23, 1992.

The Theatre, Preview: Goings On About Town, The New Yorker, March 1992.

Daniel Mendelsohn, We Are Family: John Kelly’s Structures Of Kinship At La Mama, NYQ, Mar 29, 1992.

Deborah Jowitt, Review: Silence and Stillness, The Village Voice, February 26, 1992.

Robert Greskovic, Article: Dance And Aids, Shrill Tantrums, Dance USA Journal, Spring 1992.    Jennifer Dunning, Dance View, Choreographing Deaths Of The Heart In A Singular Age, The New York Times, March 22, 1992.

John Yohahem, Article: Time-Traveling Troubadour: Performer John Kelly Has Endless Facades And Talents To Display, The Advocate, 1992.

Robert Greskovic, Review: Fathers and Sons, New York Native, March 23, 1992, 47.

Phil Trager, Dancers: Photographs By Phil Trager, Bullfinch Press: Little Brown, 1992, 71-72.

Alisa Solomon, Review: Love Me Tender, The Village Voice, March 5, 1991.

Mel Gussow, Review: Sleepwalking Through a Too Brief Childhood, The New York Times, Feb 19, 1991.

Jean Battey Lewis, John Kelly’s Stage Alchemy Melds Many Arts Into One, Washington Times, 1991.

Jennifer Dunning, Review: Ideas And Reflections On Time And Memory, New York Times, Aug 4, 1990.

Review: Timeless Entertainments About Cupid, Jesus and Death, The New York Observer, July 8,1990.

John Rockwell, Review: An English Masquerade Opera At The Academy, New York Times, June 29, 1990.

Performing Arts Journal 30, Volume X, No. 3, 38-41.

Mike Steele, Review: Classical Recital Uplifted By Singer’s Enactments, Star Tribune MN, Nov 17, 1990.

Robert Greskovic, Review: Fall And Recovery, The New York Native, Nov. 5, 1990.

Marcia B. Seigel, Review:  Lyrical Despair, New York Press, Oct. 24-30, 1990.

Gordon Rogoff, Review: Future Leider, The Village Voice, October 23, 1990.

William Norwich, Poetic Justice Serves Downtown Talent, NY Daily News, Oct. 22, 1990, 30.

Allan Kozinn,Review: Schumann And Antics Of A Sad Poet, The New York Times, Oct. 14, 1990.

Alan M. Kreigsman, Article: The Performance Artist, Finding His Voice: John Kelly and His Multimedia Works, The Washington Post, 1990.

Mike Steele, Review: John Kelly’s Falsetto Frolic in Mezzo Arias is Funny, Tender, Star Tribune Minn., Jan. 20, 1990.

Interview, Minneapolis Public Radio, Take Out, January 17, 1990.

Isabelle Hofmann, Review: Merk-wurdiger Schiele-Adend: John Kelly und seine Truppe im Malersaal, Tagesschau Morgen Post, June 23, 1989, 41.

B.N,, Review: Malersaal: Collage uber Egon Schiele, Hamburger Abendblatt, June 23, 1989, 14.

Carmen Montessuit, Review: Pass The Blutwurst, Bitte>>: trop technique, Le Journal De Montreal, May 26, 1989, 35.

Anne-Marie Lecomte, Review: Peinture D’Epoque, Voir Montreal, Vol. 3, no 35, May 24, 1989, 25.

Robert Levesque, Review: Un naufrage en mer de Schiele, Le Devoir, Montreal, May 26, 1989, 11.

Jean St. Hilaire, Review: Pass The Blutwurst, Bitte>>: un peu froid, le boudin…, Le Soiell, Quebec, May 26, 1989, E-3.

Ann Daly, Review: Ode To A Cube, High Performance Magazine, Nov., 1988.

Marcia B. Seigel, Review: Performance: Mono Music, New York Press, Oct. 28, 1988.

Mel Gussow, Reviews/Theater: Transformations: John Kelly, Alone, As Anyone Else, The New York Times, Oct. 27, 1988.

Joseph C. Koenenn, Review:  ‘Ode To A Cube’: A Unique Voice, New York Newsday, Oct. 25, 1988.

John Howell, Review: Striking Poseur: John Kelly Goes To Hell, 7 Days, April 20, 1988.

Mel Gussow, Review/Theater, Orpheus Myth In A Whirl Of Song, Dance And Décor, The New York Times   April 5, 1988.

Michael Feingold, Review: A Little Bit Of Gluck, The Village Voice, April 12, 1988.

Deborah Jowitt, Review: Past Masters, The Village Voice, April 26, 1988, 95.

Craig Bromberg, Profile: Kelly In Character, Vanity Fair, April 1988.

Thomas Connors, Review: Paved Paradise, Back Stage, May 29, 1987.

Robert Jones, Review: Gripping, Original ‘Blutwurst’ Stands Out In The Crowd, The (Charleston) News & Courier, May 29, 1987.

Patricia Cantwell, Review: Performer Riveting in ‘Blutwurst’, Charleston Post Courier, May 1987.

Pari Morgan, Preview: Kelly Play A Labor Of Love, Charleston Evening Post, May 26, 1987.

Mary Ellen Haus, Review: Vasari Diary: All About Egon, Art News, 1987.

Jordon Simon, Article: The Gentrification of the Avant Garde, Taxi Magazine, April 1987.

Janet Hobhouse, Profile: Egon And The Ecstasy, Vogue, March 1987.

Jennifer Dunning, Review: 2nd Benefit Gala in ‘The Spinal Series’, The New York Times, March 15, 1987.

Elizabeth Zimmer, Review: After Postmodernism: Waiting For The End of The World: Downtown Dance.  What Is It?  Who Does It?  And Why?, Dancemagazine, Feb., 1987.

Jennifer Dunning, Article: Avant-Garde Extravaganzas On The Lower East Side, The New York Times, Feb 6,1887, C1/28

Dennis Cooper, Review: Bold Statement in a Haze of Decadence, New York Native, Dec. 8, 1986.

Mel Gussow, Review: Blutwurst, Portrait of Egon Schiele, The New York Times, Nov. 8, 1986.

Stephen Holden, Article: John Kelly, A Master Of Melange, The New York Times, Nov. 7, 1986.

Jennifer Dunning, Dance Review: Images Of Expressive Dancing, The New York Times, Aug 24, 1986.

John Howell, Review: John Kelly & Huck Snyder: Diary of a Somnambulist, Artforum, May 1986, 140.

Review: Diary of a Somnambulist, Dancemagazine, May 1986.

C. Carr, Review: On Edge, The Village Voice, Vol. xxxi, No. 11, March 18, 1986.

Carlo McCormick, Article: Jersey Boy Makes Good in NYC, Gold Coast, Feb. 1986.

Cookie Mueller, Review: Art And About, Details, Feb. 1986.

Dennis Cooper, Review: Duets With the Statue of Liberty, New York Native, Jan. 13, 1986.

Catherine Bush, Article: Club Performance: The Changing East Village Scene, Theatre Times, Vol. 5, # 2, Jan 1986, 1-3.

Elizabeth Zimmer, Review, Dancemagazine, Aug.1985.

Michael Feingold, Theater Review: Dialect Materialism, The Village Voice, July 2, 1985.

Stefan Lupino, Chi Fa Tendenza, Per Lui, June 1985, 157.

Burt Supree, Review: Irish Stories and Eskimo Songs, The Village Voice, Vol. xxx, March 5, 1985.

Stephen Saban, Review: Paved Paradise, Details, Nov. 1985.

Catherine Bush, Review: Go West Junger Mann, East Village Eye, Nov. 1984.

Tony Heiberg, Review, East Village Eye, July 1984.

William Harris, Review: Wurst Case Scenario, East Village Eye, April 1984.

Kestitus Nakas, The Pyramid Interviews: Behind The Scenes at Manhattan’s Wildest Performance Club, In Touch For Men, 1982.

Nicholas A. Mouffarrege, Review, Arts Magazine, Oct. 1982.

Nicholas A. Moufarrege, Ambisexual Art, New York Native, Aug. 2-15, 1982.

 

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